There is an obvious domestic feature films: People always like to fight, and fights turned upside down. The performance of modern life, especially the movie, this scene is everywhere. This play is very offensive to the audience, but our filmmakers are quarrel remains unchanged to write the play. I took this script to ask a friend to me, why this treatment plot it? He replied:
Indeed, there is a well-known in the theater, then: Performed on stage in the drama of life stories, often the fate of ups struggled, at daggers drawn, life and death moment. This is a little common sense plays an indisputable fact. In fact, people often think that the Theory plays in the movie, people will play the structure of the conflict law principles as a basis, almost no one in the movie script the drama of conflict and the structure of the plot cast doubt on the primacy of the. However, if we ask today: dance, answer this question. Because no one can be Perhaps the resolve the conflict so that the hero and heroine have touching love.
In short, the reality of the film to a large number of successful creative work shows us that the creation of conflict in the film is by no means the only option, on the contrary, the movie does not show the performance of the conflict or not the intensification of the conflict process, but the performance of its resolved. But you find it? Play theory in this matter is greatly lagging behind in the writing practice. It has not yet been concluded, What makes it so real and the dramatic conflict in defiance of worship the god of the film plays it? What prompted the film plays to break through the Those who play down the conflict, no conflict or what the movie plays, the creation of new rules and characteristics? If we do not study these issues will directly affect today's film-making.
the so-called Everything in the play comes down to conflict: the suitability of a subject depends on the subject is Drama, including the conflict; a dramatic plot is dramatic depending on the intensity of the conflict; dramatic action can only lead to conflict with those; and dramatic structure of
must be pointed out that the drama is not dependent on the birth of the beginning of the conflict. Two thousand years ago Aristotle attributed to the principle of the division-stage conflict. In fact, in mid-eighteenth century, the Chinese and foreign drama theorists, whether they are classical or Renaissance, had not explicitly discussed the role of conflict in drama. Creative principle of the conflict as the first person to theoretical enlightenment should be the dramatist Denis Diderot, who advocated not his intention and the intention of the other characters in conflict, so that all the characters in the play at the same time concerned about one thing, but each man has his interest going. The basic theory of aesthetics who is Hegel, Aristotle's dramatic structure he syllogism and dialectic combination of structure and layout of the play reveals the general law: Although there is no outbreak of the conflict, but in the further development is bound to be exposed. at the end of the conflict will have to wait until the disputes have been resolved can be achieved. fell on the middle between the head and tail is a different purpose and character of conflict between each other the struggle.
we can off of, from Hegel later, whether a play or a movie, play the structural principles of the theory has not changed. Conflict is drama and film scripts have been writing and teaching of the nature of links. For example, in labor Johnson's book, . The United States most popular Field's In the book, is described how the main conflict of laws to the layout of a story. The principle of the layout we can use very little down a few words to summarize them:
1, the play throughout the conflict to be launched around a plot.
2, the structure is divided into the , in the climax part of the decision to start the play's last winner, who wins the overall contest; live.
3, the basic requirement is that the conflict started earlier, open the door see the treasure; conflict development should be around, a surprise; to full height of the conflict, cingulate people awakened; end to the conflict to be clever, do not go on forever.
4, conflict, battle each paragraph is a plot (the script for the film as
You see, above all of the four is It can be said, and after these principles since Hegel no essential changes, then the drama theorists are doing is nothing but the generalization of the conflict, extreme, or deification.
drama will be
We know that drama has a great stage performance of space-time limitations. In order to reproduce the drama of life on the stage, theater playwright must be originally in loose space may be a few things that unite in a few scenes, then a way to show drastic changes in life may have been a long time to complete process. Therefore, we can summarize the principles of drama as: space and gather things have time to make things on the crisis. Can meet these two requirements is clearly something that only conflict. It is for this reason, Hegel did in his
, of course, dramatic weight the most important reason of conflict or sociological sense. Diderot first proposed the theory of conflict just living in the eve of the French Revolution, it was a final class antagonism and impending age bloody battle. Specific social environment and his unquenchable inner revolutionary fervor of his decision to Drama. Like Yu, in his less poetic, 'everything in moderation in the process lost power'. In his view, written with a quiet day, as thunder and lightning of the night writing; wave flat as a mirror to their writing, it is better to write high sea surge; their homes Festival Hall writes , it is better to write left wandering Market; their written manual Botanical Garden, it is better to write deep dense forest; its modern new building to write, it is better to write wild rock caves; their writing springs pond, it is better to write terrible waterfalls. to the pursuit of this aesthetic move on society, in his opinion, went through after a major disaster and great suffering, when poor people began to break, when most likely to have a real artist. The artist's imagination was the scene of the hit Shangxincanmu, it is natural delineated those generations who have not experienced the things that do not know. At that time, the young Hegel full of revolutionary enthusiasm, not only accepted the revolutionary slogans, but also actively participate in the festivities and participate in meetings delivered an impassioned speech. In that era, the survival of social conflict determines the fate of the people, drama, of course will look at it as the focus. It can be said, dramatic conflict is the stage of reproduction of social conflict, with the intensification of social conflict and the subsequent intensification of the East-West Cold War, it also plays dramatic conflict theory brought to the altar.
we all know, things most intense period of the Cold War period, the Soviet Union was the Class Struggle to the people, the social ideology of class struggle will be as ubiquitous, pervasive thing. Class struggle as the core of people's lives and ensure social progress, and the attitude towards class struggle has become the dividing line between revolution and counterrevolution. In this context of the times, and generalization of the class struggle is a myth. For example, Eisenstein is a We know that humans have the ability to think. When you order two different things together and suggests they contact on the meaning of existence, the people will find links imaginative significance between the two.
example, if a girl with a scarf tied in a baseball stick, people will say that this symbol of love between boys and girls, boys or girls to worship and so on. Between rods in the scarf and baseball simply does not exist any sense of conflict, the conflict can be explained by Sergei Eisenstein but his montage, saying that the cause of the third meaning of the two unrelated shots all conflicting results. In the history of culture have appeared in the Soviet Union against 1952, That Doctrine builders will encounter along the way obstacles and difficulties, and serious conflicts that will occur contradictions of life, to overcome these things, the need for great efforts and responsibilities of their high degree of understanding of patriotism. a battle of old and new conflicts caused by a variety of life, without which the conflict is no life, so there is no art.
Just because Mr. Zhou Gucheng said some of their own methods of literary and artistic creation in the view, he was criticized as advocating Then, China has entered a ten years of chaos. It was a Between people in the family, friends, colleagues, comrades in arms, between cadres between the soldiers and civilians ... ... between all possible to find a conflict between the relationship, making the conflict, intensify the conflict. At this time the literary and artistic creation is full of gunpowder, no human feelings, human nature have been dismissed as Conflict has become the enemy show drama, literature and film art only content, but the emotional and relationship between the people had disappeared.
clearly not the case. The content is magnificent life, the conflict is just part of life. In particular, the relationship between our people, not always attributed to the conflict. Can we imagine any conflict between two people is a way to reflect the relationship it? If you really like, the Earth would be terrible it! Advocated However, in real life, personality differences are not always caused by the conflict, the difference is precisely the most natural phenomena of life. When many people to accept these differences, seek common ground and even tolerate those differences. Otherwise, the
As for the Art is the scope of how much you? You acknowledge that Qi is the old cabbage painting art? Can you tell me that the cabbage on the screen and who in the conflict? Conflict is only a means of artistic themes and a special performance, not to mention music, painting, sculpture, art, and so the conflict is not the most important thing, even to narrative art, the conflict is not the only option. Some people assert that the dramatic conflict is equal, there is no conflict there would be dramatic, it would be too extreme. The so-called Conflict provoked the audience is just a form of emotional response, but in many cases the conflict is not the audience visibly moved, which is in the works of contemporary film's success is especially significant. In these films, the character is not caused by differences in the conflict, but two different subtle conflict between the personality structure.
No comments:
Post a Comment